THE BUTTON TIN
Upon my
grandma's dressing table,
On a doily
she crocheted,
Was a toffee
tin from England,
Much too
nice to throw away.
It was like
a little treasure chest,
It made
one think of Captain Kidd,
Its colors
were most vibrant,
A toy padlock
on its lid.
Now, import
trinkets such as this,
Were rare
at grandma's house,
So, when
the toffee had been eaten,
She proudly
saved the box.
This depression-era
grandma,
Found good
use for her rare tin,
What a
marvelous container,
To store
spare buttons in.
A question
now, that one might pose,
Is how
do buttons become spare?
Look around
you, up and down,
You'll
find them everywhere.
Behind the
cushions of a couch,
In the
laundry, on a bed,
On the
streets or on the sidewalks,
Cut from
old clothes one has shed.
Sometimes
they match; sometimes they don't,
They can
come in groups or pairs,
Sometimes
a single button's found,
That just
belongs nowhere.
Every extra
button,
Ended up
in grandma's tin,
As youngsters,
when we stayed with her,
We used
to play with them.
With children's
ingenuity,
We created
wondrous things,
Necklaces
and bracelets,
And button
finger rings.
If one
of our stuffed animals,
Lost a
nose, an ear, or eye,
Replacement
surgery was done,
Drawing
from the tin supply.
Buttons
made good castanets,
If held
in the hand, just so,
My dirndl-skirted
sister,
Danced,
as if from Mexico.
We played
board games with the buttons,
And we
played going-to-the-store,
The ideas
we came up with,
Astound
me ever more.
I fear imagination
now,
Is an art-form
losing ground,
The challenges
we used to have,
No longer
can be found.
When button
tins first disappeared,
Their loss
was not understood,
It's equally
sad that kids today,
See no
faces on clothespins of wood.
They can
not make a clothespin doll,
If they
never had a clothespin,
Nor can
they give cloth dolls new eyes,
If they
never had a button tin.
Virginia (Ginny)
Ellis
copyright 2000
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The music playing is Beethoven's Pathetique, © Margi
Harrell
and used with her permission.